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Hotel Siddharth KhajurahoHotel Siddharth Khajuraho
Hotel Gautama KhajurahoHotel Gautama Khajuraho
Hotel Surya KhajurahoHotel Surya Khajuraho
Hotel Zen KhajurahoHotel Zen Khajuraho
Usha Bundela KhajurahoUsha Bundela Khajuraho
Hotel Jhankar KhajurahoHotel Jhankar Khajuraho
Hotel Lakeside KhajurahoHotel Lakeside Khajuraho
Hotel Payal KhajurahoHotel Payal Khajuraho
Hotel Rahil KhajurahoHotel Rahil Khajuraho
Clarks KhajurahoHotel Clarks
Hotel Greenwood KhajurahoHotel Greenwood
Hotel Lalit KhajurahoHotel Lalit Khajuraho
Hotel Jass OberoiHotel Jass Oberoi
Hotel Harmony KhajurahoHotel Harmony Khajuraho
Hotel Ramada KhajurahoHotel Ramada Khajuraho
Hotel Khajuraho AshokHotel Ashok Khajuraho
Hotel Casa Di WilliamHotel Casa Di William

Hotel LakesideHotel Lakeside
Hotel LakesideHotel EuroStar Inn Khajuraho

Tourist Attractions of Khajuraho, Madhya Pradesh

 
The world renowned temple town of Khajuraho in Madhya Pradesh designated by UNESCO as a world heritage site for its archaeological and historical monuments.The Khajuraho temples were built in the short span of a hundred years, from 950-1050AD in a truly inspired burst of creativity. Of the 85 original temples, 22 have survived till today to constitute one of the world's great artistic wonders.

Tourist-Places, Khajuraho Tour & TravelsThe Creators of Khajuraho claimed descent from the moon and the legend behind the founding of this great dynasty and the temples is a fascinating one. Hemwati, the lovely young daughter of a Brahmin priest, was seduced by the moon-god while bathing in a forest pool. The child born of this union was Chandravarman, founder of the Chandela dynasty. Brought up in the forests by his mother who sought refuge from a sensorious society, Chandravarman, when established as a ruler, had a dream-visitation from his mother. It is said that she implored him to build temples that would reveal human passions, and in doing so, bring about a realization of the emptiness of human desire. It is also possible that the Chandelas were followers of the Tantric cult, which believes that gratification of earthly desires is a step towards attaining the infinite liberation of nirvana.

Why they chose Khajuraho, even then a small village, as the site for their great complex is also open to of their faith and the many beliefs represented in the temples, the Chandelas conceived Khajuraho as a seat of religion and learning, to bring together many sects.

Khajuraho Archaeological Museum
The politician of Bundelkhand, W E Jardine displayed objects from the temples in 1910. The display was held near the Western Group of Temples. This was originally called the Jardine Museum which in 1952 was rechristened to the Archeological Museum.

The objects displayed in the Khajuraho Archaeological Museum are sculptures and architectural remains of the 10th and 12th century temples. The objects reflect the influences of Hindu and Jain religions. The museum now houses more than 2000 objects. Among these some of the popular ones are the Nritta Gansha, Uma-Maheshwara, Andhakasuravadhamurti and Vaikuntha.

State Museum of Tribal & Folk Arts Brass Art, Khajuraho Tourism
A fine collection of masterpieces of tribal and folk art and artifacts from all over Madhya Pradesh is on display at the Chandela Cultural Complex. The tradition of tribal and folk arts and crafts has evolved over centuries. It represents the best of Indian culture and tradition and its synthesis with foreign cultures that came through trade and invasions.

The State Museum has more than 500 representative items of terracotta, metal craft, woodcraft, tribal and folk paintings, tattoos, jewellery and masks.

Khajuraho Temples
The architectural style of the Khajuraho temples is very different from the temple prototype of that period. Each stands, instead of within the customary enclosure, on a high masonry platform. Combined with the upward direction of the structure, which is further accentuated by vertical projections, the total effect is one of grace and lightness, reminiscent of the Himalayan peaks. Each of the chief compartments has its own roof, grouped in such a way that the highest is in the centre, the lowest over the portico, a triumph of skill and imagination in recreating the rising peaks of a range.

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